Explore Coin Collection

Obverse: The portrait of Susan B. Anthony, a pioneer for women's rights, facing right with the date below, Reverse: The Apollo 11 Mission Insignia (an eagle holding an olive branch flying above the Moon, with the Earth in the background) and the denomination below

Obverse: The portrait of Susan B. Anthony, a pioneer for women's rights, facing right with the date below, Reverse: The Apollo 11 Mission Insignia (an eagle holding an olive branch flying above the Moon, with the Earth in the background) and the denomination below

Obverse: Overlapping profiles of three distinct women. Each woman is wearing a different type of hat to symbolize the many decades the suffrage movement spanned. The figure in the foreground is wearing a cloche hat with an art deco pattern and a button with the year of the 19th Amendment’s ratification., Reverse: “2020” being dropped into a ballot box, styled with art deco elements to indicate the artistic style of the era. “VOTES FOR WOMEN” is inscribed inside a circle on the front of the box.

Obverse: Portrait of Alice Paul., Reverse: Alice Paul participating in a marching event within the suffrage movement, carrying an American flag and wearing a banner “Votes for Women”.

Obverse: Portrait of George Washington, facing right., Reverse: A dynamic depiction of Celia Cruz flashing her dazzling smile while performing in a rumba-style dress. Her signature catchphrase “¡AZÚCAR!” is inscribed on the right.

Obverse: Portrait of George Washington, facing right., Reverse: A dynamic depiction of Celia Cruz flashing her dazzling smile while performing in a rumba-style dress. Her signature catchphrase “¡AZÚCAR!” is inscribed on the right.

Obverse: Portrait of George Washington, facing right., Reverse: Dr. Mary Edwards Walker holding her pocket surgical kit, with the Medal of Honor on her uniform, and surgeon’s pin at her collar. After receiving the award, she continued to wear the Medal of Honor for the rest of her life. The left side of the design showcases the details of the Medal of Honor of that time.

Obverse: Portrait of George Washington, facing right., Reverse: Dr. Mary Edwards Walker holding her pocket surgical kit, with the Medal of Honor on her uniform, and surgeon’s pin at her collar. After receiving the award, she continued to wear the Medal of Honor for the rest of her life. The left side of the design showcases the details of the Medal of Honor of that time.

Obverse: Portrait of George Washington, facing right., Reverse: A portrait of Edith Kanakaʻole, with her hair and lei poʻo (head lei) morphing into the elements of a Hawaiian landscape, symbolizing Kanakaʻole's life’s work of preserving the natural land and traditional Hawaiian culture. The inscription "E hō mai ka ʻike" translates as “granting the wisdom,” and is a reference to the intertwined role hula and chants play in this preservation.

Obverse: Portrait of George Washington, facing right., Reverse: A portrait of Edith Kanakaʻole, with her hair and lei poʻo (head lei) morphing into the elements of a Hawaiian landscape, symbolizing Kanakaʻole's life’s work of preserving the natural land and traditional Hawaiian culture. The inscription "E hō mai ka ʻike" translates as “granting the wisdom,” and is a reference to the intertwined role hula and chants play in this preservation.

Obverse: Portrait of George Washington, facing right., Reverse: Ida B. Wells gazing courageously toward the future.

Obverse: Portrait of George Washington, facing right., Reverse: Patsy Takemoto Mink holding her landmark “TITLE IX” legislation. In the background, a view of the U.S. Capitol Building prominently features the south wing, home to the U.S. House of Representatives, where Mink served in Congress. The lei she wears represents her home state of Hawaii.

Obverse: Portrait of George Washington, facing right., Reverse: Patsy Takemoto Mink holding her landmark “TITLE IX” legislation. In the background, a view of the U.S. Capitol Building prominently features the south wing, home to the U.S. House of Representatives, where Mink served in Congress. The lei she wears represents her home state of Hawaii.

Obverse: Portrait of George Washington, facing right., Reverse: Reverend Dr. Pauli Murray’s eyeglass-framed face within the shape of the word “HOPE,” which is symbolic of Murray’s belief that significant societal reforms were possible when rooted in hope. A line from her poem “Dark Testament,” characterizes hope as “A SONG IN A WEARY THROAT,” an inscription in the design.

Obverse: Portrait of George Washington, facing right., Reverse: Reverend Dr. Pauli Murray’s eyeglass-framed face within the shape of the word “HOPE,” which is symbolic of Murray’s belief that significant societal reforms were possible when rooted in hope. A line from her poem “Dark Testament,” characterizes hope as “A SONG IN A WEARY THROAT,” an inscription in the design.

Obverse: Portrait of George Washington, facing right., Reverse: Zitkala-Ša in traditional Yankton Sioux dress. She is holding a book, which represents her work as an author as well as her successful activism for Native American rights. Behind her, a stylized sun represents her work on The Sun Dance Opera, while a cardinal symbolizes her name, which translates to “Red Bird.” A Yankton Sioux-inspired diamond pattern sits underneath the sun.

Obverse: Portrait of George Washington, facing right., Reverse: Zitkala-Ša in traditional Yankton Sioux dress. She is holding a book, which represents her work as an author as well as her successful activism for Native American rights. Behind her, a stylized sun represents her work on The Sun Dance Opera, while a cardinal symbolizes her name, which translates to “Red Bird.” A Yankton Sioux-inspired diamond pattern sits underneath the sun.

Obverse: Portrait of George Washington, facing right., Reverse: Althea Gibson

Obverse: Portrait of George Washington, facing right., Reverse: Althea Gibson

Obverse: Portrait of George Washington, facing right., Reverse: Anna May Wong with her head resting on her hand, surrounded by the bright lights of a marquee sign.

Obverse: Portrait of George Washington, facing right., Reverse: Bessie Coleman as she suits up in preparation for flight. Her expression is reflective of her determination to take to the skies, the only place she experienced a freedom she did not have on the ground. The date on the coin, 15 June 1921, is when she received her pilot's license.

Obverse: Portrait of George Washington, facing right., Reverse: Bessie Coleman as she suits up in preparation for flight. Her expression is reflective of her determination to take to the skies, the only place she experienced a freedom she did not have on the ground.

Obverse: Portrait of George Washington, facing right., Reverse: Dr. Vera Rubin

Obverse: Portrait of George Washington, facing right., Reverse: Dr. Vera Rubin